Learning

The new building for Life Science and Bioengineering is the largest project since the Technical University of Denmark (DTU) was inaugurated in the 1960s. In a respectful yet innovative transformation of the original architecture, the façade of gold-anodized and black-lacquered aluminum is broken into sections with niches and balconies that create a vibrant sense of scale. The building rises from the ground opening up into a warm wooden interior where the atmospheric atrium, the Biosphere, unites researchers from the National Institute of Aquatic Resources (DTU Aqua), the National Food Institute (DTU Food) and the National Veterinary Institute (DTU Vet). Here daylight flows from large skylights above oak-clad meeting boxes that almost float in mid-air. The oak cladding translates the façade’s golden hue to an interior texture, while the meeting boxes create a wealth of dynamic spaces where the researchers can meet. The building also houses laboratories with a wide range of functions and research facilities, including gigantic saltwater tanks, fish pens and a state-of-the-art ventilation system.

The project of Olivier Debré Contemporary Art Center originates in an international competition that called for proposal to transform the former “Ecole des beaux-arts” in Tours in a space for the exhibition and creation of contemporary Arts, alongside with the conservation of the collection of the abstract painter Olivier Debré.
The ambition of the program was to respect and dialogue with the dense historical city center, to conserve the character of the existing building, but at the same time to provide huge scale voids for the new exhibition function as well as an open relationship with the city. The project originated in the existing conditions: a valuable architectural heritage, a particular urban context, a lucid ambition expressed by the competition brief. Accompanying them is the unique illuminating vision of reality in the work of Olivier Debré.

Targeting the rural regions, the Smart Centers will respect the integrity of rural aesthetics in sync with contemporary architectural design, maintaining the authenticity of the region, while encouraging progressive ideology. Each campus will utilize sustainable and green design, off the grid components and renewable energy. They will have classrooms, health posts, studios, computer lounges, meeting points, an auditorium for performances and presentations, libraries, restaurants and various spaces for diverse indoor and outdoor activities varying from sports to entertainments and arts to agriculture and diverse other workshops to train and enable developing children, youths and adults alike. 

The History of Science Centre acts as a mediator bringing past Islamic sciences of the “golden age” in relation to the current university studies at the German University of Technology (GUtech) in Halban, Oman. The building aims to create a link between art and science with nature and geometry whilst symbolizing infinity and divinity. 

Located in Kaohsiung, the heavy industry center in Taiwan, this project is an incubation center consisting of offices, research rooms, convention hall and exhibition galleries along with three smart manufacturing laboratories.

AZULIK Uh May is a new multi-faceted art centre in Francisco Uh May, Mexico, due to open at the end of November. It is the latest project of Roth (Eduardo Neira), the founder and designer of luxury resort AZULIK and the adjacent art space IK LAB.

Designed as a 10,000-square-metre, three-storey, multi-disciplinary space by UK-based Serie Architects, Jameel Arts Centre is the first non-governmental contemporary arts institution of its kind in the Gulf.

The design of the CAA / Águeda Arts Center responds to the challenge of creating a solution well adapted to the context (not only physical but also cultural, economic and political) while creating a world-class cultural platform. A rational approach to the program was translated into a system designed to maximize functionality.