Museum

There is a millennium fishing port i.e. Tanmen on the coast of the South China Sea in Qionghai, Hainan, China, where the fishermen have been guarding their mother sea for generations. Nowadays, between the seaport and fishing villages, among the villages and rivers, there is a magic temple called by the fishermen, which ushered in a meeting that spans hundreds of years. She is a “ship” on the sea, a “big house” of an aboriginal, she is a spread of the net, but also a layer of waves. She sometimes squats on the earth, and sometimes floats in the air, accompanied by the coconut wind and sea melody, silently, like a god.

The West Bund Museum is a new art gallery on the Shanghai Corniche, an 8.5-kilometre frontage on the northern bank of the Huangpu River. The promenade connects the Xuhui district to the historic Bund and forms a key part of the West Bund Masterplan, which envisages a new cultural district over nine square kilometres of former industrial land. The museum occupies a triangular plot at the northernmost tip of a new public park, at the point where Longteng Avenue and the river converge. A raised public esplanade above the flood plain surrounds the building, offering views to the river. The edge of the esplanade on the east side is delineated by a continuous series of steps with landing stages leading to the riverbank. The site offered the opportunity to create a completely freestanding structure and its location allowed for improved access to both the river and the park.

Liyang Museum is located in the southeast corner of Yan Lake Park in the new urban district, connecting an urban public space to the new nature. The organic lines and undulating mountains compose melodious music in the mountain forest. An Open Attitude welcomes people from all directions. The perfect combination of terrain tells about landscape culture and creates an oriental poetic life.

In 2015, Barcelona based Addenda Architects won the international competition for the Bauhaus Museum Dessau, which received 830 entries. The most significant aspect of the pragmatic and austere design is the subtle reincarnation of the Bauhaus spirit, notably identified with Mies’ famous oxymoron “less is more”. Referring to some specific features of the Bauhaus school in Dessau – the glazed Curtain Wall, the two-story Bridge and the overall impression of transparency, lightness and plane surfaces – the new museum will embody a manifesto of contemporary culture that could most accurately be described as “low resolution at its best”.

The LAB Art Museum is the main exhibition venue designed by C+ Architects for 2019 Wulong Lanba Land Art Festival. As the most significant building in a series of exhibitions during the festival, the architecture itself acts as a piece of land art. In the mountains away from urban civilization, the architects use the experience gained from nature and apply just little construction to the earth landscape to make people re-focus on natural scenery and eventually return to nature.

The new Jordan Schnitzer Museum of Art at Washington State University brings art to the forefront of university life – and the entire Inland Northwest region. As the only dedicated fine art museum in a 230-mile radius, Design Principal Jim Olson sought to create a building with bold visual appeal that would engage and inspire. The resulting reflective façade, crafted to match WSU’s signature crimson red, establishes the museum as a beacon for the arts in the heart of the Pullman, Washington campus.

The building proposal aims to respect the programmatic requirements, developing a museum area, especially an interpretation area related to the observation of birds in their natural habitat, in parallel providing support for research and leisure.