Dressing the Mies van der Rohe Pavilion to strip it of its materiality. This simple act turns the Pavilion into a representation of itself that opens the door to multiple interpretations about aspects like the value of the original, the role of the white surface as an image of modernity, and the importance of materiality in the perception of space.
The project was designed with the collaboration of graphic designers Maude Lescarbeau and Camille Blais. The colorful installation was conceived to safely accommodate and attract citizens currently reappropriating the downtown of Montreal after several weeks of confinement due to the COVID-19 pandemic. The layout is designed to offer passers-by a space to promenade or to sit and relax while respecting current sanitation and social distancing norms.
The exhibition Twelve cautionary urban tales, based on Superstudio’s Twelve cautionary tales for Christmas, aims to “rethink our role in the making of the city”, in the words of Ethel Baraona, exhibition’s curator. Through twelve installations that focus on different aspects of society and its relationship with the urban environment, Twelve cautionary urban tales explores utopias and dystopias on the future of the city.
HOUSE 2 – COUNTER CITY is a 240 square metre public architectural installation situated next to the Toni-Areal in Zurich. The project is based on an experimental format for collaborative design and construction conceived by ALICE (Atelier de la Conception de l’Espace) — a laboratory of EPFL led by Dieter Dietz.
This is a space installation of outdoor public art group exhibition, which is exhibited in “Expanded Theater /2020 First Public Art Exhibition in Nanhai”. As the only participating architect in this exhibition, TAOA first tried to cooperate with artist Wu Didi in public art projects.According to the outdoor environment specified by the curator, each creator need to create a public art that can be participated by the audience.The whole project has only eight days to complete the construction on site, and the construction cost and all expenses must be controlled within 160,000 yuan, which are the boundaries for artistic creation.
Atlanta’s singular cityscape is celebrated for its abundance of trees. Murmuration, a temporary installation for the High Museum of Art, responds directly to the architecture of its Renzo Piano-designed Piazza. Using the lens of bird migrations, it reacts to Atlanta’s relationship with the natural world.
Through the imaginative exhibits within ANOHA—The Children’s World of the Jewish Museum Berlin, the museum gives their youngest guests a sense of hope and possibility. Located within an existing former flower market hall, the heart of ANOHA is a circular wooden ark, standing almost 23 feet (7 meters) tall with a 92-foot (28-meter) base diameter. The curvilinear ark complements the curved ribs of the Brutalist light scoops overhead, while the shift in materiality from concrete to wood offers a softening counterpoint to the existing space.
CLOUD 9 – in collaborations with Jonas Van Put, Lauren Fonteyn, Nik Aelbrecht Bubbling, bursting, bouncing, spacing and squeezing.
With a play on architecture, our design aims to fulfil the simple primary purpose of a Summer House: a space for shelter and relaxation. The design is based on projecting an inverse replica of the historic Queen Caroline’s Temple a tribute to its robust form, space and material, recomposed into a new architectural language.
The ger districts of Ulaanbaatar, Mongolia, are sprawling settlements comprised of traditional nomadic felt tents, or gers, and self-built brick homes. These districts have no running water or sewage systems and in the extreme winter, with temperatures reaching -40 °C, coal is the main source of heat, resulting in debilitating air pollution.
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