Articles by Lilly Cao

Calgary’s upcoming ATTAbotics Headquarters, designed by the Modern Office of Design + Architecture, physicalizes complex circulatory systems into a structure that is simultaneously aesthetically pleasing and programmatically successful. The client, a robotics manufacturer, was initially inspired by the spatial organization of ant colonies in their design for their emblematic robotic storage and retrieval system. This attribute consequently embeds itself in the new design for their headquarters, which navigates height restrictions, views, programming, and sustainability within this already intricate system of organization.  

For the most part, rubber isn’t considered a conventional building material – at least not to the same extent that materials like wood, concrete, or glass are. But rubber is commonly used in interiors for flooring of extraordinary color or brightness, and even more unexpectedly for exterior facades with unique aspects or upholstery effects. This functionality is motivated by unique advantages such as smoothness, elasticity, durability, and color consistency.

Finnish practice JKMM’s newest project, The Dance House Helsinki, is set to become Finland’s first venue dedicated primarily to dance and the performing arts. Offering rehearsal and performance spaces for artists, Dance House forms an extension to Cable Factory, the largest existing cultural center in Finland.

The “New Créteil” was an urbanization program carried out in the seventies. It was intended to provide the city of Créteil, which is located around 6 km southeast of Paris, new apartment buildings and public facilities such as a town hall, prefecture, hospital, and courthouse. In a series called “See the New Créteil,” photographer Robin Leroy documents a city considered transcendent of the traditional clichés of modern architecture.

On September 8, 2019, Austrian’s largest public art installation to date opened to the public. Titled FOR FOREST – The Unending Attraction of Nature, the artwork transforms the Wörthersee Football Stadium in Klagenfurt into a native central European forest. Designed by Swiss curator Klaus Littmann and inspired by a dystopian drawing by Austrian artist and architect Max Peintner, the installation advocates for pressing contemporary issues such as climate change and deforestation. Through the structural containment of this massive forest, it suggests that nature may someday only be found in specially designated spaces, as animals are today in zoos.

Across the globe, tall wood structures have begun transforming the world of skyscrapers and high-rise buildings, ushering in an important shift to an architectural practice that has traditionally been dominated by steel and concrete. Typically defined as wood-constructed buildings over 14 stories or 50 meters high, the past six years have seen over 44 tall wood buildings built or underway around the world. Notable examples include Michael Green Architecture and DLR Group’s T3 and Team V Architectuur’s upcoming 73 meter residential tower HAUT.

In the mid-to-late 20^th century, a secular, socialist Poland served as the backdrop for the construction of thousands of Catholic churches. In their book Day-VII Architecture, Izabela Cichonska, Karolina Popera, and Kuba Snopek analyze the paradoxical facets of this architecture born at the intersection of secularity and religion, charting how its development was influenced by liturgical reform, political movements, and the growth of postmodernism. In the excerpted introduction below, the authors unfold this history, touching on the Second Vatican Council, Solidarity, the Iron Curtain, and more in relation to the development of Day-VII Architecture’s ultimately unique postmodern style. The publication has collected photographs of 100 Polish churches built after the year 1945, accompanied by interviews with their architects. To read more about the authors’ original Day-VII documentation project, which served as the groundwork for this book, be sure to visit the original article “These Churches Are the Unrecognized Architecture of Poland’s Anti-Communist ‘Solidarity’ Movement.”

For most of the history of architecture, interesting facades were achieved through materiality or ornamentation. From the elaborately painted friezes of the Parthenon to the glass exteriors of modern skyscrapers, architecture was primarily static, only ‘changing’ as the environment would change and affect the material of the façade in differing ways, be it rain, light, rust, etc.

Modernism in Pittsburgh. Central Park. Space settlements. Interwar typography. What do these topics all have in common? They are the subjects of a new batch of architecture and design books released this past year – books that constitute Metropolis Magazine’s spring/summer edition roundup of architecture’s newest and most exciting publications.