Articles by Duo Dickinson

When the 2008 Great Recession destroyed advertising revenue for all of publishing and limited the cash that architects had for PR and photographers, the established way of promoting architects and architecture was brutally compromised. That same moment saw the instant availability of smartphones, with insanely good cameras, huge memory, and soon 5G transmission. Those technological revolutions turned graphic duffers into artists. Anyone can now photo, video, and narrate any perception anywhere, instantly, free – and share universally. The cliché of saying that the internet “everything changed” is true in how the world sees architecture.

It is easy to show cool images of adaptive reuse. The contrast of living history and control over it makes for dynamic visuals. But there is a deeper meaning to adaptive reuse. Architecture embodies humanity and humanity changes, so our buildings change.

“Equity” is a moving target. We who create architecture want our devotion to have a true forum of objective Equity. But motivations are not outcomes. How we judge design inevitably carries the baggage of “Style” and that makes universal equity in design apprehension impossible.

In the 14th century, Geoffrey Chaucer wrote “Familiarity breeds contempt”. By definition “local” is “familiar”. Why are humans so thrilled to go beyond the familiar, the local, and reach for what is new, universal, and salvational? The word “local” has the weight of true value, like “density” or “sustainable” But the lure of connection between all humans is powerfully seductive, and that desire to connect almost always falls short of our hopes.  

There is an architecture of the migrant. It is survivalist, built with what is available, made as quickly as possible, with safety as its core value. Americans romanticize that architecture as “Colonial”: simple timber buildings, with symmetric beginnings, infinite additions, and adaptations. But “Colonial” architecture is not what was built first by the immigrants to a fully foreign land 400 years ago. Like all migrant housing, time made it temporary and forgotten.

This article was originally published on Common Edge.

Religion is a uniquely human reality. As are cities. As we emerge from our burrows of sequestration, the silent cities and places of worship will become human again, versus the present sad memory of what they once were.

Every December talking heads (or screens) trumpet “Everything Has Changed”. But this year it is true. Immanent inoculations may bring back human contact, but the Coronavirus Year has changed us.

Some celebrate the failures of “Make It Right”, Brad Pitt’s patronage in New Orleans. After Hurricane Katrina wrecked New Orleans in 2005, celebrated architects like Frank Gehry, David Adjaye and Thom Mayne created art for a foundation set up by Pitt. A local architect, John C. Williams was hired to turn designs from those starchitects into buildings with a directive to use the best sustainable materials available.

When things change, we change the way we live.