Articles by Ankitha Gattupalli

Dramatic societal transformations- such as pandemics and technological advancements – call for dramatic shifts in lifestyles. Architects keep up by exploring and proposing new models of housing, each iteration catering to society’s latest needs. The co-living model is one such example that has become a roaring success over the past few decades. Redefining the way people live, co-living seeks to provide a form of cost-effective social housing. Although widely targeted at younger generations, the co-living industry is evolving to cater to various niche groups.

“How to give your home: Dark Academia vibes” reads the title of a popular YouTube video targeted at homeowners fascinated by the aesthetics relating to liberal education and the arts. A subculture born in the age of social media, Dark Academia is one of many internet aesthetics that have gained prevalence in the last decade. Image-based platforms like Tumblr, Instagram, Pinterest, and TikTok have amplified internet aesthetics, especially during the COVID-19 pandemic. Social media allows users to support and create their own trends that rapidly amass a following. Today, the creation of aesthetic trends lies in the hands of the general public and will dictate the way interior design trends develop.

The Law of Polarity holds good in relation to human society and cultures as well – everything has an opposite. Countercultures have erupted as condemnations of “the ways of the world”. A countercultural movement expresses the ethos and aspirations of a population during a specific time. As new lifestyles are explored, supporting architecture evolves to satiate the utopian ideals of new societies. Architecture is a product of the culture it is designed for.

The significance of daylight in volumes of space exceeds its function of illumination. Light is a creative tool manipulated by architects to infuse a space with a metaphysical spirit, influencing the emotional states of its occupants. Having a phenomenological effect on the human psyche, light and shadow have been played with to invoke a sense of divinity and spirituality into the character of religious buildings. The interplay between architecture and light is a powerful one, shaping a deeper experience of spirituality.

When streets lay empty, sidewalks untouched, and shutters hung heavy, the city seems lost of life. When businesses close, offices go remote and economic activity declines, the mechanisms that operate a city are idle. Vacant space and land are often perceived as “failed”, reflecting urban decline and economic blight. Emptiness, however, holds hope for possibilities and change. When urban voids are at the brink of transformation, what happens in the meanwhile?

As world governments grapple with environmental crises, the construction industry rushes to reevaluate sustainable design and develop new ways of measuring its efficiency. Consequently, green building certification systems (GBCS) started gaining traction in the 20th century to evaluate and promote sustainable construction practices. The Global South faces distinctive challenges in building sustainable cities. Its developing nations demand an exclusive approach to designing an appropriate, economical, and inspiring architecture for their promising futures.

Cities are complex ecologies of intersecting natural systems and urban infrastructure. Environmental degradation has brought attention to the asymbiotic relationship between man-made and natural systems. A new economy is emerging where interdependence and environmental stewardship are valued. Designing for a circular economy requires consideration of human habitats not as towns or cities, but as bioregions. 

The university campus has a distinctive spatial typology. Established as a micro-city, these self-contained environments are subject to their own rules and systems. They are designed as a deviation from the cities that host it to allow for the growth and proliferation of knowledge outside the status-quo. Centered around the transfer of information, academic centers are becoming increasingly relevant to urbanism. Campuses and their host cities evolve to mimic each other’s structure, forming opportunities for urban renewal. 

Residential architecture in India is a direct reflection of the ethnic practices and lifestyles led by its diverse citizens. The earliest houses were developed as units of larger community-centric settlements. The architecture of Indian residences is deeply enmeshed with cultural values – usually centering on the ideas of family and community relationships. A single home often shelters a large joint family and meets the needs of various age groups under one roof. Multigenerational living demands a unique spatial syntax to foster connections.

“I am not an architect,” he says with a sparkle in his eyes, “I am merely a person seeking out their destiny.” To the late pioneer of Indian modernism, Balkrishna Vithaldas Doshi, architecture was a practice of self-discovery. The veteran’s stellar works of poetic functionality resulted from a humanist philosophy bearing the influence of modernist principles, Mahatma Gandhi, and Indian spiritual texts. Doshi believed that architecture was synonymous with life – a vehicle for constant celebration; a medium for heightened experiences. His greatest contribution to the architecture community was his powerful words of wisdom that echo the timelessness of his structures.