Articles by Andreea Cutieru

Last year, Archdaily inaugurated its first edition of Young Practices, an initiative meant to highlight emerging offices that pursue architectural innovation. Carl Gerges Architects is a Lebanese practice whose body of work is a careful consideration of culture, context, and heritage. Villa Nadia and Batroun Boutique Hotel are two of the studio’s unbuilt projects that showcase the assemblage of architectural tradition and contemporary design, informed by a poetic sensibility and a deep understating of the local social, environmental and historical landscape.

Trahan Architects broke ground on the new Chapel of St. Ignatius and Gayle and Tom Benson Jesuit Center at the Loyola University in New Orleans. The new spiritual site and the community gathering space draw on elements of the Jesuit tradition, central to the University’s heritage. Through the circular design, the light-filled interior space and the predominance of natural materials, Trahan Architects creates a space of universal spirituality at the heart of the campus.

Benedetta Tagliabue – Miralles Tagliabue EMBT participates in the 17th International Venice Architecture Biennale with an installation detailing the design thinking behind Plateau Central Masterplan at Clichy-Montfermeil, Paris. Entitled Living within a Market – Outside space is also Home, the exhibition showcases a series of models, drawings, prototypes and collages which illustrate the principles of community building and social integration that underline the project. The installation also brings to Venice a display structure designed by Enric Miralles in 1996, reproduced for the first time this year for the Miralles series of exhibitions in Barcelona.

Gmp has won a competition to redesign a disused stainless steel factory that would accommodate the Shanghai Academy of Fine Arts. In tune with China’s newfound interest in adaptive reuse, the project retains the core structure of the 860-meter long industrial building, as well as its ventilation towers. At the same time, it redesigns the façade and accentuates the central axis through a mix of social spaces. The design is part of a larger redevelopment plan to transform the former industrial site into an art district.

Aedas has unveiled the design for a tourist leisure resort that takes the form of an organically-spaced 266-meter tower in the harbour city of Zhanjiang. Located at the intersection of three distinct urban areas, the Zhanjiang Yunhai no. 1 Tower becomes a portal for the city and a symbol of its development. With a tower design inspired by the motion of koi fish, and a podium echoing the shape of waves, the project creates an allegory of Zhanjiang’s harbour culture.

Since their inception in 1896, modern-day Olympics have been regarded by hosting cities as an opportunity to project to the world a specific image of themselves, to subsidize large infrastructure projects, or to rapidly unfold redevelopment schemes. Past the frequently discussed eye-catching stadiums, there is a complex story of Olympic urbanism, which encompasses the large scale developments catalyzed by the event. Exploring the urban and architectural legacy of the Games, the success stories, the white elephants, and the administrative agendas, the following discusses what the Olympics leave behind in the hosting cities.

MVRDV has unveiled the design of a terraced office building created for the agriculture company Lankuaikei. Set within a rapidly developing area of Shanghai, the 11-storey structure covered by a curved technological roof that follows the stepping structure is conceived as an agricultural oasis that showcases the company’s vision of food production. With an extensive sustainability agenda, the project encompasses various strategies, from the extensive use of greenery, renewable energy to low-carbon materials, addressed both with high tech and low tech solutions.

Invited to participate in the 17th International Venice Architecture Biennale, Skidmore, Owings & Merrill (SOM) exhibits Life Beyond Earth, a vision for a Moon Village. Developed together with the European Space Agency (ESA), the installation presents a proposal for a sustainable ecosystem that would support human presence on the Moon, exploring the opportunity of expanding the scope of architecture. The project reaffirms the importance of space exploration while also highlighting its potential to advance knowledge that would help address issues on Earth.

The Jining Art Museum, designed by Japanese architect Ryue Nishizawa in China’s Shandong province, merges architecture and landscape across three structures unified by a distinctive architectural language. Images by photographer Paulo dos Sousa showcases how the museum relates with the adjacent lake and the surrounding greenery while also highlighting how the main architectural gesture of the organically shaped roof creates a series of intermediary spaces that expand the museum’s activities outwards into the environment.

Manifesta 14 recently announced that the 2022 edition of the European Biennial of Contemporary Art will take place in Prishtina, Kosovo. In preparation for the event, Carlo Ratti Associati has been commissioned to create an urban vision for the host city, focusing on sustainable solutions attuned to its current realities. The urban interventions showcase CRA’s newly defined participatory urbanism methodology and explore how Prishtina could be transformed by the citizens’ act of reclaiming public space.